Day 29. Gina’s Oreo


Practice makes perfect. So here’s another Oreo drawing, this one bitten by Gina.

Like Margie’s Oreo, Gina’s Oreo was bitten as an entry into my Oreo Cookie Contest held during my Open Studio. I’m considering doing a painting of this too. Maybe you’re even looking at the contest winner!

I first met Gina Thorne when she walked through the door in 2015. Gina was in charge of programming for the Scarsdale Artist’s Association, and asked me to do a Just Desserts Talk and Painting Demonstration. It sticks out in my mind because I enjoyed speaking in front of a group, especially about art and niche marketing, which you can about in The Sheer Joy of Just Desserts. At moments like these, my yearning to be an artist history professor re-emerges.

This particular Oreo was chosen because of the way it split into 3 pieces, yet it still looks like a classic bite. I’m almost finished with it, but I have to put it down tonight since I’m getting up at 6am tomorrow morning. – and it’s already past midnight. I’m going to the Awakenings Fair in Manhattan.

When I come home from the city, I’ll darken the craggy edges but lighten the dark “hotspot”, put in a little shadow on the white filling, and add more contrast to the rest (aka darken it with a softer drawing pencil).  Then I’ll be all set to start my Day 30 painting.

Or maybe I’ll wait a few days so I can start my next painting before my eye doctor’s appointment on Monday.

Unfortunately my eyes will be dilated part of the day, and I won’t be able to paint. If I hadn’t waited months for the appointment, I would have re-scheduled. So my planning finally went a bit awry. I’ll just add this to my lessons learned. No eye doctor’s appointment during a painting challenge!

I have a painting in mind for Day 30 that I simply have to do for myself, and you’ll probably find it intriguing at the very least.

Have I piqued your interest? If so, come back tomorrow.

Art Exhibits

Solo Exhibitions

2024 Scarsdale Public Library, “A Bite Size View of Food in Art”, Scarsdale, NY

2022 One Martine Gallery, “Food For Thought”, White Plains, NY
2018 Studio Tour, Ardsley, NY
2017 Michael Good Gallery, “You CAN Have Your Cake and Eat It Too”, Rockport, ME
2014 RiverArts 2014 Artists’ Studio Tour, Ardsley, NY
2006 Wiregrass Museum of Art, “Great Temptations”, Dothan, Alabama
2004 Freelance Gallery, “Great Temptations”, Piermont, NY
2003 Jerald Melberg Gallery, “Just Desserts”, Charlotte, NC
2002 O.K. Harris Works of Art, “September Revisited”, New York, NY
2001 O.K. Harris Works of Art, “Great Temptations”, New York, NY
1998 SUNY/Westchester College Art Workshop, NY

Selected Group Exhibitions

2019 LCA Bedford Gallery, “Off Menu: Contemporary Art About Food”, Walnut Creek, CA
2017 Studios on the Park, “Sweet Art Invitational”, Paso Robles, CA
2016 Super Fresh Food Art Gallery, Food, Novato and Healdsberg, CA
2015 Cavalier Galleries, Annual Small Works Online Exhibition
2015 Cavalier Galleries, “American Realism: Past to Present”, New York, NY
2015 Cavalier Galleries, Summer Group Show in Nantucket, MA; Greenwich, CT; and New York City, NY
2015 The Katonah Museum, “Line Describing a Cone: Tri-State Juried Exhibition”, Katonah, NY
2015 Silvermine Arts Center, “65th Annual Art of the Northeast Juried Exhibition”, New Canaan, CT
2015 Upstream Gallery, “PaperWorks 2015“, Hastings-on-Hudson, NY
2015 RiverArts Studio Tour, Ardsley, NY, April 25th/26th
2015 Gallery 52, “Desserts”, Rye, NY
2014 Westchester Arts Exchange, “Unabashedly”, White Plains, NY.
2014 Warms Springs Gallery, “Painter’s Table”, Charlottesville, VA
2014 Aljira, A Center for Contemporary Arts, Juried Exhibition, “Viewpoints 2014”, Newark, NJ.
2013 Upstream Gallery, “PaperWorks 2014”, Hastings-on-Hudson, NY.
2013 Picassowhat, Opening Group Exhibition. Rockland, ME
2012 Robert Kidd Gallery, “Sweet Spot”, Birmingham, MI
2011 Lazarus Gallery, “A Feast For The Eyes: A Food Themed Exhibition”, New Rochelle, NY
2011 RiverArts Studio Tour, Ardsley, NY
2011 Donald Gallery, “Just Desserts”, Dobbs Ferry, NY
2010 The Katonah Museum Artists Association Juried Show, “A to Z”, New Canaan, CT
2010 The Nicolaysen Art Museum, “I WANT Candy: Sweet Stuff in American Art”, Casper, WY; travels to Lake Charles, LA and Wausau, WI, Fresno, CA. Originated at The Hudson River Museum, Yonkers, NY
2008 Galerie LC. “Les Hyperéalistes Américains”, Paris, France
2007 Elaine Baker Gallery, Summer Exhibition, Boca Raton, FL
2007 The Main Street Gallery, “Stuff Your Face”, Groton, NY
2005 Robert Kidd Gallery, “XXX – Three Decades of Art”, Birmingham, MI
2005 M.A. Doran Gallery, “Contemporary American Realism VIII”, Tulsa OK
2004 Schoharie Country Arts Council, National Small Works Exhibition, Cobleskill, NY, Award
2004 New Century Art Gallery, “Seven Deadly Sins”, New York, NY, Award
2003 Anderson Galleries, “Selected Contemporary Realists”, Beverly Hills, CA

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About the Artist


Touching up my latest painting !

Artist’s Statement

My three decade long fascination with painting desserts has heightened my craving for more. Fortunately, there are still many sweets to try to feed my artistic appetite. Now my dessert repertoire is expanding from individual desserts and bakery displays to vending machines.

Using a wet-on-wet technique, I paint in oil directly from the subject or a photograph, applying the oil paint to the canvas like icing on a cake.  The oil medium allows me to capture the luscious, tempting nature of desserts, with their enticing textures, shapes, and colors that seduce me with promises of mouth-watering rewards.

Often the subjects elicit childhood memories, when life was uncomplicated. They evoke a time in my life when an Oreo Cookie, Dunkin’ Donut, or candy bar was the center of my universe.

"Cosmic Oreo by Beverly Shipko, Oil painting on canvas, 24 x 36 inches, Available at Cavalier Galleries

“Cosmic Oreo by Beverly Shipko, Oil painting on canvas, 24 x 36 inches, 

 

“Five Dunkin’ Donuts in a Box” by Beverly Shipko, Oil, 20 x 24 inches

 

“America’s Favorite Candy Bars” by Beverly Shipko, Oil on canvas, 10 x 20 inches

My serial images of cakes and Oreo Cookies portray nostalgic moments of transitory pleasures. The Oreo Cookie is a subject I return to year after year.  My daughters, neighborhood kids, and now my friends’ grandkids, take part in the process by coming to my Oreo Cookie parties and annual Oreo Cookie Contest during my Open Studio.

The kids (and adults!) enthusiastically bite the cookies and joyfully play with them.  They pull the halves apart to lick the icing, dunk them, stack them, and try to eat a whole Oreo in one bite, just leaving the crumbs. Often while I am lighting the entire table of half-eaten cookies, I see exciting images take shape amidst dramatic shadows, and realize I am looking at the next work in the series. I name the painting after the person who bites the original Oreo since it is their “portrait”, albeit an untraditional one.

A few years ago, I started working on a series of small Oreo Cookie pencil drawings to represent the whimsical nature and unlimited possibilities of this particular icon. These images opened the door to making original limited edition art prints of Oreos, the first being Oreo Mandala, a composite of 9 images in the series. Then I was inspired to paint dessert ingredients by an entire carton of double yolk eggs that randomly made its way into my kitchen, which led to a series of egg paintings and another print.

More recently, I started painting snack food and candy in vending machines, which are rapidly disappearing and one day will be viewed as fond memories of America’s past. My first two vending paintings in 2015 and 2017 were small 5 x 7 inch Challenge paintings. Now I’ve created larger paintings in the series that include vegetables, and am exploring options referencing the current pandemic.

I believe that on some level all people are attracted to things they are not supposed to have. I am no exception. My particular challenge is to paint the subject matter on one hand, while not devouring these “forbidden fruits” with the other. It is particularly ironic that I’m obsessed with painting delectable desserts with my history of diabetes while I was pregnant, a father who was a dentist, and a recent change I made in my diet by going gluten-free and dairy-free. Thus the name of this body of work, “Great Temptations”, appropriately reflects the tension, conflict and even longing that I feel while painting irresistible desserts.

Beverly Shipko
September 30, 2022

Resume Highlights

Selected Solo Exhibitions

2024 Scarsdale Library, “A Bite Size View of Food in Art”, Scarsdale, NY, May, 2024

2022 One Martine Gallery, “Food For Thought”, White Plains, NY
2017 Michael Good Gallery, “You CAN Have Your Cake and Eat it Too”, Rockport, ME, Summer, 2017
2006 Wiregrass Museum of Art, “Great Temptations”, Dothan, Alabama
2003 Jerald Melberg Gallery, “Just Desserts”, Charlotte, NC
2002 O.K. Harris Works of Art, “September Revisited”, New York, NY
2001 O.K. Harris Works of Art, Serial Images of Desserts, New York, NY

Selected Group Exhibitions

2019 LCA Bedford Gallery, “Off Menu: Contemporary Art about Food”, Walnut Creek, CA
2018 RiverArts Open Studio, Ardsley, NY
2016 Super Fresh Food Art Gallery, Permanent Installation, Healsberg, CA
2015 Cavalier Galleries, “American Realism: Past to Present”, New York, NY
2015 Cavalier Galleries, Summer Group Show in Greenwich, CT; Nantucket, MA; and New York City, NY
2015 Silvermine Arts Center, “65th Annual Art of the Northeast Juried Exhibition”, New Canaan, CT
2015 The Katonah Museum, “Line Describing a Cone: Tri-State Juried Exhibition”, Katonah, NY
2014 Aljira, A Center for Contemporary Arts, Juried Exhibition, “Viewpoints 2014”, Newark, NJ
2014 Warms Springs Gallery, “Painter’s Table”, Charlottesville, VA
2013 Picassowhat, Opening Group Exhibition, Rockland, ME

Bibliography

2022 Oreo-Center Artist Takes Viewers Deeper Into Temptation, Rivertowns Enterprise, Pages 9 and 14
2018 How Much Do Artists Gain by Opening Their Studios to the Public?, article in Artists Market 2018: How and Where to Sell Your Art, North Light Books, Pgs 72-75
2017 Taste in Art, Portland Press Herald, Front Page Masthead, Front Page Food and Dining
2014 A.I. Friedman Artist of the Month
2014 Success Is Sweet For Desserts-Only Painter, Rivertowns Enterprise, Pg 8
2014 Just Desserts, Scarsdale Inquirer, Page 11
2012 Expiration Date & Other Stories
2007 I WANT Candy: Sweet Stuff in American Art, video, and catalog
2007 Sweet Success, Westchester Times Tribune, Page 6

Professional Experience

1984-2002 Hudson River Museum, Yonkers, NY – Worked with the Board of Trustees and Director on the Program Committee and Audience Development Committee

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Open Studio 2018

Welcome to my Virtual Studio Tour!

Thanks to popular demand, I am posting photos from my Open Studio. The original post never made it up since it was scheduled for 2019… (my bad).

It was a glorious weekend! The weather was great, as was the turnout. The week leading up to the Studio Tour was less hectic too than in previous years; we learned from past experience.

This year’s guests were greeted by this Oreo themed display, including oil paintings, pencil drawings and original giclée prints, covering a span of over 15 years. Thank you, Bonnie, for putting together this visually pleasing retrospective. It made quite a first impression, especially for first time visitors. 

My studio never looked so clean! I had plenty of room to show my latest vending machine paintings. I discovered I could fit eight 20 x 10 inch panels over the fireplace, which turned out to be the most requested spot for picture taking.

Vending Machine Series by Beverly Shipko

Husband Jay Sloofman, Beverly,our friend  Rhonda, Daughters Bonnie and Laura

My friend Linda

Annette and her students

Work was scattered all through the house. At times, it was really packed with visitors. We somehow never get photos of those moments since we’re all so busy… It would have been smart to ask other people to take photos. I guess there is always more to learn…

The Three Muskateers from Central School

Desserts waited in the dining room for guests who were craving sweets after looking at so many food paintings.

The dessert table from Riviera BakeHouse in Ardsley

The very first arrivals

A lot of the fun comes from being surprised by who walks through the door, from different times and places in all of our lives. I’m happy to say the Shipkos were represented by my first cousin Robert, who I grew up with in Detroit, and his son Harrison, who grew up in New York like my two daughters.


Every time I looked at Harrison, I kept seeing my brother Stuart in my minds eye at the same age. It’s funny how strong familial resemblances can be.

I was delighted that my Heart Shaped Box of Chocolates found a happy home with Sarah, who had been admiring it since first seeing the painting in the Hudson River Museum exhibit called  I Want Candy.

And I can’t end this blog without moving into the kitchen for the annual Oreo Cookie Contest – where we had the unexpected pleasure of being entertained by Samantha’s  amazing flexibility.



Finally, this year was a first when Charli and Jack brought their own work – and gave me an art show! That was just plain fun. I look forward to seeing more of their creations in the future.


As usual, I enjoyed Studio Tour weekend. Thank you all for coming!

Thank you to the team – my daughters, Bonnie and Laura, husband Jay Sloofman, and friend Maritza – for helping make this event a success. I could never do this without all of you! A special shout out to Doug Marouk-Coe and RiverArts® on the 25th Anniversary of the Studio Tour.

P.S. Despite our best efforts, there were several surprises that were out of our control, creating some concern in the weeks leading up to the Open Studio (an understatement…). I leave you with these two photos, when we were working on Plan B, just in case…