Paintings | Beverly Shipko, Artist

My Place in American Realism

November 3, 2015 by Beverly

I’m happy to say that I’m part of a illustrious group show, “American Realism: From Past to Present,” at Cavalier Galleries in midtown Manhattan which runs through November 30th.

From start to finish, Jay and I thoroughly enjoyed the opening of this exhibit, packed full of visually striking representational works, and quite a welcome change from the many purely conceptual shows in Chelsea.

Realism is alive and well on 57th Street.

It was nice to see familiar faces as soon as we arrived, when we were greeting by our friends Nina Fixler and Mark Rosenstein. The reception was well attended throughout the evening, which kept me so busy that I didn’t have much time for the art!

Photo by Doug Harrington

After taking a quick look around, we found my two paintings in this room, with a striking painting of Manhattan views by Jenness Cortez on the far left. It was especially fitting to find Bonnie’s Carrot Cake (4 panels) on the far wall, together with Crumbs Bake Shop Cupcakes (Bonnie’s 12-Pack) on the right, since Bonnie played an instrumental role in both works by eating the original subjects.

People often ask me what style or category my work falls in. Usually I answer contemporary realism. This show gave me a new perspective on my own work by positioning it within the much broader context of the American Realist Movement, harking back to the 19th century.

Some of the great icons in American art were included, such as Eastman Johnson, George Inness, John Singer Sargent, James McNeil Whistler, Mary Cassatt, J. Alden Andrew and Jamie Wyeth, among others.

Jamie Wyeth, “Summer House”, 1970, watercolor, and Andrew Wyeth, “Wash Basket”, 1968, watercolor.

This was one of my favorite walls with paintings by a Joel Carson Jones, working in the tradition of American trompe l’oeil (“fool the eye”) 19th century painters John Frederick Peto and William Harnett, whom I have always admired.

Small paintings by
Joel Carson Jones, Oil on panel, 2010 – 2015.

The show was full of pleasant surprises, like this particularly appealing Louis Comfort Tiffany painting (where Jay is talking to our friends Carol and Len Schwartz). I want to make sure give Carol a shoutout since she’s been my #1 fan, religiously following my blog through both monthly painting-a-day challenges. Being the daughter of an artist, she sees things that many people don’t and gives me valuable feedback.

When Barbara Pedersen arrived, the proud owner of Jay’s Blueberry Tart, I knew we would have a lively discussion about the exhibit. Barbara has been to more art galleries than I have!

American Realism is an impressive show that you truly have to see in person to appreciate and savor – which is exactly what I did when I went back for the second time. It will be worth the trip (and I’m not saying that just because my work is in it!)

Cavalier Galleries is located at 3 W. 57th Street, just west of Fifth Avenue, on the 4th floor. Since there’s major construction on the corner, be sure and look for the street level signage by the entrance.

Enjoy the show!

Day 29. Mini Tootsie Roll with Bag

October 8, 2015 by Beverly

I seemed to be hooked on candy.

And just maybe Halloween is top-of-mind from the pumpkin decorations that Bonnie already put up.

“Mini Tootsie Roll with Bag” by Beverly Shipko, Oil painting on cradled wood panel, 5 x 7 inches

Whatever the reason, this was truly a rewarding but demanding painting that took a a few days. After working for several hours, I decided not to rush this since it had a lot of potential.

I wanted to revisit little Tootsie Rolls with it’s bag (that says Midgees on it, which doesn’t exactly roll off the tongue). Using a camera as my digital sketchbook, I took 25 photos with the bag before settling on this composition (reminding me of the dramatic angles in 19th century Japanese woodcuts).

It took a while to come to grips with the different scale between the bag and the Tootsie Rolls, and find a dynamic composition using this atypically shaped candy (rather static and awkward from this painter’s perspective).

Less was more in this painting. I settled on a single Tootsie Roll, eliminating both wrapped and unwrapped ones ion various stages of being consumed.

I went right to the sketch, skipping the toned underpainting, and started with the bag – not surprising since I like use the darks to establish the structure. The above photo shows where I was at the end of the first day of painting.

Thanks again to Ed Price, my Northwestern business school buddy, who first planted the seed of painting mini Tootsie Rolls, which weren’t on my radar.

I’m proud of the last two iconic candy paintings, the Day 28 Kit Kat followed by today’s Day 29 Mini-Tootsie Roll with Bag, which are drying together on my mantel. While both have a similar color palette, the approach for each is distinct. Do you have a favorite?

With Jay’s help, there will be a lot more open wrapper “research” around here as Halloween approaches. Photos of your own handiwork all always welcome.

I’m getting a sugar high just thinking about all this candy, so I need a break. Maybe it’s time to go back to painting something more healthy – and finish up Apples and Honey from Day 15, which in the sketch stage.

I’ll decide tomorrow. Until then.

Collage from the 30/30 Challenge

October 5, 2015 by Beverly

Well, I must confess that I have 27 images for my summary “collage”, with 3 paintings left to go.

I thought I had 28 paintings but I couldn’t find the Day 16 painting anywhere. That’s because I skipped Day 16 to celebrate Rosh Hashana (it’s coming back to me now…).

This morning I started by pulling all the images together and resizing them for easy uploading. After experimenting with various templates, I designed my own custom collage layout on picmonkey.com (a useful free site for creating Facebook banners too) to post on Leslie Saeta’s Looking Back on 30 Paintings in September blog before the upload link closed.

This was my favorite collage, which I posted.

As with most computer tasks, it took longer than expected – even though I had done this once before. And I never did figure out how to add the border and caption to the collage like I did after the January Challenge, which you can see here.

Nevertheless, I was so pleased with the layout and myself for all that I had accomplished – until I realized my Mom’s birthday cupcake was missing, as were the drawings. Here are all 27 works in an earlier version using a pic monkey template as the base.

Now I’m going to take a break, order a new LED TV to replace the one that broke 3 weeks ago (back to reality), and try that first layout one more time (the perfectionist in me is showing again). I’ll give it an hour, then I’ll put the collage aside to get to work on another painting.

I have the luxury of painting for 3 more days this week, and am looking forward to it. See you tomorrow.

P.S. At 8pm, here’s what I came up with. Everything is here, and the macaroons are larger, but I think I like the simplicity first one even with its missing images. Probably no one else would even notice, and maybe I’m just talking to myself… Which one would you use on a future postcard?

Day 28. Kit Kat

October 5, 2015 by Beverly

“Give me a break,
Give me a break,
Break me off a piece of that Kit Kat Bar”.

“Kit Kat” by Beverly Shipko, Oil painting on cradled wood panel, 5 x 7 inches

With this Kit Kat painting, I took another trip down memory lane back to my days in advertising at DMB&B in New York City working on the M&M’s Twix Cookie Bars account. For two years, I lived and breathed the candy (ate it too, and gained a few unwanted pounds with all the cases of free candy lying around).

Since both Twix and Kat Kat are made from wafers, they are direct competitors. As a result, I closely monitored Kat Kat marketing activities in the US and Europe. The overseas Kit Kat commercials were really whimsical and silly – much different in tone than American ads.

This Hershey candy felt so familiar that I felt like I was getting reacquainted with an old friend during the entire process.

As I was working, this painting reminded me of another Hershey candy painting, Reese’s Peanut Butter Cups, from the January Challenge, with its similar orange and brown color palette. That was when I first discovered the myriad of possibilities with opened candy wrappers. I also think the Day 7 Vending Machine painting had a subliminal effect on this choice of subject.

Painting this was just plain fun.

Surprisingly, the most difficult part was the setup because the package didn’t rip open very easily or elegantly. After going through quite a few Kit Kats, I returned to this first bar, which was opened by Bonnie. Thanks, Bonnie!

Now that it’s October, technically the September 30 Painting in 30 Day Challenge is over, but not for me. When Laura was home in mid-September, she suggested a modification this concept to accommodate this exceptionally busy month: 30 Paintings in 40 Days

I will be posting my end-of-Challenge collage tomorrow here and on Leslie Saeta’s blog. However, I will keep going and build on my momentum. I’m painting better than I have for months with all this practice, and I have a few more paintings I want to try before leaving for Philadelphia for the weekend (not to mention the ones that need work).

Looking forward to seeing you tomorrow.

Day 27. Macarons

October 1, 2015 by Beverly

This quiet pastel painting is quite a contrast to the bold, graphic paintings from Day 24 Salmon in Red, White and Black and Day 25 Classic 1959 Dodge, which is maybe what I needed.

“Macarons” by Beverly Shipko, Oil on cradled wood panel, 5 x 7 inches

Thank you, Betty Heller, for sending me the photo for Macarons after your trip to Belgium, which was taken at the inimitable DelRey shop in Antwerp. It’s a beautiful composition and I’ve been looking at it for about a year, but that’s all – looking…. until now.

Despite the fact that I had never painted a single macaron, I plunged ahead with this rather ambitious painting of 24 macaron (not macaroon, so Bonnie tells me). I hesitated before starting, but knew I was painting well (practice makes perfect). With the official Challenge ending soon, I knew it wouldn’t be the end of the world if this took 2 days – and it did. Besides, I’m already 3 days behind, so what’s another day. Here’s where I started and ended the first day.

After painting 10 macarons yesterday, today went a little easier. It’s funny how I started seeing these as mouths (especially the ones with the dark frosting). I just plodded along, experimenting with subtle differences in colors to try and capture soft tones, which is something different for me. Near the end, I started working on the light and shadows to bring life to the piece.

This is definitely a painting I wouldn’t have tried without the Challenge. And it took almost a month of intense painting before I felt confident enough to tackle it.

I took a risk and it paid off. Having said that, tomorrow I’ll be working on something a little less risky. I’ll try and get 2-3 more paintings in before making a collage of all my Challenge work, which I’ll post here.

The collage will be a great opportunities to look back with me at all that I accomplished in September. I hope you’ll join me.

Day 25. Classic 1959 Dodge

September 28, 2015 by Beverly

"1959 Dodge Comet Classic Car" by Beverly Shipko, Oil painting on wood panel, 5 x 7 inches

“1959 Dodge Custom Royal Lancer” by Beverly Shipko, Oil painting on wood panel, 5 x 7 inches

Sometimes a picture is worth a thousand words.

That’s the case with this painting. I was tempted just to post this without saying anything, but I don’t have it in me. However, I will keep this short.

When I look at this painting in person, I feel really happy. In Marie Kondo’s jargon, this sparks joy. And a lot of it.

Why, you may ask? It has such presence, which I hope you can see in the photo. And the whole process of creating this painting was joyful from beginning to end, which is why I spent an extra half day today working on it. After all, you can take the girl out of the Motor City, but you can’t take the Motor City out of the girl.

Back to work. See you tomorrow.

Day 24. Salmon in Red, White & Black

September 27, 2015 by Beverly

Day 24 marked another first in the Challege: my first entrée ever, salmon.

The full title of this painting is Salmon in Red, White and Black, since the colors are such a big part of this piece. (I’ve got Whistler’s Mother on the brain, which he formally titled Arrangement in Grey and Black.)

“Salmon in Red, White and Black” by Beverly Shipko, Oil painting on cradled wood panel, 5 x 7 inches

This past February, I was having lunch with my college friend, Lynn Hilkene, who still lives in Ann Arbor and goes to all the Michigan football games. (One day I’m going to go with her!) We met for a long lunch at the Beverly Hills Grill in Southfield, MI, where we sat for hours chatting a mile a minute.

I remember this particular lunch because we talked about the Challenge, when resulted in my Top 10 Lessons Learned post. After taking our obligatory photos, we ordered our favorite foods. In my case, it’s the salmon.

When my meal came, I was struck by the strong graphic quality of the composition on the table before me – the squares of the plate and napkins softened by the the circles of the glass and dressing cup and saucer, and the dramatic contrast of darks and lights. I considered the side views through the camera LED screen, but they didn’t look as compelling to me.

This was an ambitious choice because it was an entrée, which included a glass with ice cubes and a submerged spoon, either of which could have been a subject on its own. Here I was trying try to limit myself to simple paintings, and then I do the exact opposite.

The evolution of Salmon in Red, White and Black is rather interesting and I’ll show you why. I started with a detailed drawing, put in the background and shadows, and used a red background more evocative of the mahogany table appearing black in the photo. My intention was to darken the red with a deep brown. At this point, I actually thought about turning this into a gresaille painting (all greys to imitate sculpture, except for the crimson). I’m still wondering how it would have looked in greytones. What do you think?

Then I went back with the original plan and started adding in color beginning with the lemons and salmon.

I didn’t finish this in one day (probably shouldn’t have taken that hour off yesterday), and here’s what greeted me this morning. For a few hours, I worked on the glass, cup and spoon, and brought the color intensity of the salmon and vegetables up to the level of the lemons (which is more evident in person). My last step was to add the highlights to the green beans and deepen the shadows.

I have to stop to get ready for a RiverArts fund-raising party where my Oreo Mandala print is being auctioned off today. This is probably a good thing since the painting looks fresh and lively.

While I am still several days behind schedule, I am very happy with my first entrée of plated food, potentially opening a new door for a series. As with many of my paintings this Challenge, they look better in person, and this one does too. So stop by and see for yourself.

Later today, I’ll be working on another painting inspired by a Michigan trip. Until tomorrow.

Day 23. Star Tart

September 26, 2015 by Beverly

I love the patterns of the blueberries, strawberries and kiwi on Star Tart, which somehow reminds me of folk art quilts.

The real fruit tart is from our favorite bakery, Riviera Bake House here in Ardsley. I have painted various versions of tarts before, but never one straight on, from the top down like this one.

“Star Tart”, by Beverly Shipko, Oil painting on cradled wood panel, 6 x 6 inches

Maybe I got inspired by similar views from previous paintings – Day 11 Pomegranate Half, Day 6 Crumbs Praline Cupcake, and Day 5 M&M Cupcake, which are also top down views. Apparently I like painting circular compositions on square panels.

Today’s challenge was to capture the dimensional quality of the tart that is implicitly built into angled side views, which are easier to paint in some respects. That’s probably why I had this old photo lying around for 12 years (taken with my first digital camera) and never did anything with it until now.

I started with the background and the crust, and then moved progressively inward, as you can see in these photos. The order of the colors mirrors the physical construction of the tart, almost as if I was the baker. First you start with the tart crust and the filling, then you add the kiwi, followed by the strawberries, and finally a mass of blueberries. For some reason, my favorite part was painting the kiwi seeds. I don’t know why they were just fun to paint, maybe simply because they brought the kiwi slices to life.

My plan of attack also took into account the bleeding color factor, and started with the colors that bleed the least (white, blue, ochre, green) and end with colors that bleed the most (red and indigo blue). Being a daily painting, I proceeded slowly and methodically since there was little room for error. At the end, I went back to tighten some areas up, darken the shadows, and add the highlights to make the glaze shine.

Now that my dessert craving is temporarily satisfied, I’ll look elsewhere tomorrow. Any suggestions?

Thanks for stopping by.

Day 22. Yosemite Sequoia

September 25, 2015 by Beverly

In keeping with the Western vacation theme that I began yesterday with my Day 21 Phoenix Sunset, here is the majestic Yosemite Seqouia. I enjoyed painting these trees, a subject I revisit once in a while. And I got to relive another trip with stunning scenery.

“Yosemite Sequoia” by Beverly Shipko, Oil and acrylic on cradled wood panel, 7 x 5 inches

Recently I was watching the evening news which did a piece on the mighty sequoias and how they are being stressed by the drought. I learned an intriguing fact – that each tree requires about 700 gallons of water a day!

So sequoias were top of mind, and I began thinking about our recent trip to Mariposa Grove in Yosemite in May – which was absolutely breathtaking. Mariposa Grove is a sequoia grove (the largest in the park with several hundred mature sequoias) in the southernmost part of Yosemite National Park in California. It’s a unique experience to walk through the park in the morning as the sun rises, when you can hear your own footsteps in the quiet before mobs of tourists arrive.

For those of you who have never seen a sequoia, they are huge! They are so big that it’s almost impossible to get a interesting photo of a whole tree (which is why the above photo only shows the lower half of the tree). To give you some idea of the scale, here I am standing against the roots of a fallen sequoia, and this was one of the smaller trees.

Here’s the view of the top of a sequoia that inspired today’s painting. I began with my customary drawing on wood panel, and applied two light washes of blue acrylic underpainting for the sky, using a wet paper towel. This decision was critical to doing this Challenge painting since there was no way I could paint the background and tiny leaves entirely in oil paint in one day without drying time in between layers.

In the end, this took a lot longer than expected, and I’m falling further behind in the Challenge. I could keep working on it and adding more detail, but the painting looks really fresh in person, and I’m afraid of overworking it. So I am putting down my paint brush.

Besides, I haven’t started applying paint to today’s panel. I’m working on my Day 23 painting, and it’s actually Day 25. (It was a terrific week but I lost 3 days because of the holidays, a stunning wedding, and Laura’s visit.) I have to find a way to catch up. I should probably start by writing shorter blog posts. Maybe it’s time to do another drawing.

Any suggestions? Wish me luck! Thanks for visiting.

Day 21. Phoenix Sunset

September 22, 2015 by Beverly

Even though I have a whole table full of ideas, I wasn’t sure what to paint for Day 21. I decided to go with this uplifting Phoenix Sunset that brought back memories of a wonderful trip to Arizona, with its spectacular outdoor beauty.

“Phoenix Desert Sunset” by Beverly Shipko, Oil on cradled wood panel, 5 x 7 inches

The inspiration came from a visit to the Phoenix Desert Botanical Garden to see the Dale Chihuly Exhibit with the family in 2009. Chihuly did a masterful job of integrating his glass sculptures into the desert environment, livening up the rugged terrain with splashes of vibrant color.

Jay and I had a mini-reunion with his two sisters, Leslie Dolin from Portland, Oregon (middle), and Pam Kanter, from Kansas City, Missouri (right). Look a little closer and you can see 3 Chihuily lime green glass cactus sculptures in the background.

Here’s the whole group with spouses (well, almost the whole group since I’m the photographer), starting on the left, with Leslie, Bill Kanter, Jay, Pam, and Leigh Dolin. With everyone in the family so geographically scattered, it’s always special when we get together.

We stayed until sunset when the cacti were silhouetted against the expansive Western sky. Late last night I started the painting and this is what greeted me in the morning.

As I put worked on capturing more of the drama of the sky and adding details of the brush on the ground, I felt like I was reliving my vacation. What a nice way to spend Day 21 of the Challenge!

Now I’m re-thinking my plan for tomorrow. See you then.

Day 20 of 30. Cheesecake Sampler

September 20, 2015 by Beverly

Cheesecake Sampler is still a work in progress.

We’re off to a wedding shortly, which is maybe a good thing in this case. That way I can come back later with a fresh eye and develop a plan for finishing this – with your help.

The challenge here is to add enough details to the cheesecake slices without overworking the piece and keeping it fresh. Right now I like the openness and airiness of the designs, and am concerned if I keep going too far, it will start feeling dense. I’m having a good time channeling Jackson Pollock in this food painting.

I will clean up the edges of the swirls on the cake, and maybe the knife. Maybe make the red darker in spots. At the moment, the neutral grey acrylic underpainting is the background. It’s smooth and unobtrusive, so perhaps I’ll leave it, but I’m not sure. (Excuse the cast shadow along the bottom from the easel.)

What would you do next on this painting, especially with the background? Thanks for your help.

Day 19. Blueberry Pie

September 19, 2015 by Beverly

After yesterday’s Apple Cranberry Pie Server, I got a craving for more pie.

"Blueberry Pie" by Beverly Shipko, Oil on cradled wood panel, 5 x 7 inches

“Cherry Pie” by Beverly Shipko, Oil on cradled wood panel, 5 x 7 inches

Not just any pie, but a partially eaten with a proverbial bite taken out.

I liked the idea of cropping the composition and focusing on the most most visually captivating part of the pie. Cherry Pie is about the oozing goo that comes with eating a big piece. While I considered coming in even closer, it wasn’t clear the pie would be recognizable as pie, so I filed the concept away in my notebook for future Challenges.

The idea was to immortalize this old-fashioned lattice pie, from our favorite bakery, Rivierabake House in Ardsley. Riviera still weaves strips of crust together, unlike many commercial pies that are die-cut from a flat piece of dough. I forgot how difficult it is to paint pie crust with its woven dough and subtle colors. In many respects, Day 18’s Apple Cranberry Pie Server was easier to paint since it’s broken up by the contrasting metal spatula.

Over time, my pie paintings have transitioned from more traditional compositions (as far back as 2003) set against a larger neutral background to more focused perspectives. You can see the progression here. What approach appeals to you? It would be interesting to hear your thoughts.

“Cherry Pie” by Beverly Shipko, Oil on cradled wood panel, 5 x 7 inches

“Apple Cranberry Pie Server” by Beverly Shipko,
Oil on cradled wood panel, 6 x 6 inches

When I first saw Cherry Pie this morning after finishing it last night, I was pleasantly surprised and happy with this painting. Of course, I have to control the urge to keep fixing little details, but I am learning…

I am puzzled by one thing – and that’s digital photography . The two pie paintings from the Challenge look so much better in person than in photographs, as do many of my other paintings. This was confirmed by my daughter, Laura, who has a good eye and just came home yesterday for the weekend from Urbana, IL for a wedding.

I spent a lot of time trying to get the best image possible at various times of day, shooting at night, in the morning, with natural light, a natural spectrum lamp, incandescent light – and even a combination. Then I tried shooting these both with my iPhone and Nikon compact camera in various places – on an easel, the floor, in different rooms, and finally got the best shots I could against the Oreo Cookie brown walls of my studio. Maybe it’s time to take a digital photography course.

This whole experience shows that nothing replaces experiencing original artwork in person. Now that I’ve vented my frustration and feel better (thanks for listening!), I realize it’s time to move on.

Have a great day! See you tomorrow for Day 20.

Day 17. Happy Birthday, Mom!

September 17, 2015 by Beverly

To celebrate this very special day, I painted your favorite cupcake from Kroger. Surprised, Mom?

“Happy Birthday! Cupcake” by Beverly Shipko, Acrylic on wood cradled panel, 7 x 5 inches

Happy 90th Birthday – and welcome to your virtual birthday party! (Aren’t you glad I didn’t put 90th in the headline, Mom?)

And look who just joined the party!

Jay and Laura Sloofman

Stuart and Mary Jane Shipko

Bonnie Sloofman, Chloe and Zach Shipko

As with all parties, it took a lot of planning to make this happen today. There are so many little details – and I just realized I forgot the flowers!

And your gift, the Happy Birthday Cupcake painting, didn’t come easily either with everything that was going on here this week. I hope you like it.

For the first time in years, I had to switch to acrylic paints since it dries quickly (too quickly sometimes), allowing for corrections in an hour, and cleans up easily with water. Besides, the vibrant, dayglow colors of the Krogers cupcake just screamed for these acrylics, which I happened to have on hand (amazingly not dried out after 15 years!).

I started with the Happy Birthday decoration, which worked well with the Liquitex magenta. Along the way, I decided to leave the table white so this painting wouldn’t look too busy. Unlike my typical oil painting sessions, this one was done on the kitchen table with a cup of water close by to keep my brushes from drying out.

For those of you who haven’t met my mother before, in all the excitement I forgot to formally introduce you to Dot, A Mom Who Loves Sports, and the winner of my 2014 Sports Artist Award. At the risk of sounding like a cliche, she is my anchor who still keeps me focused on the big picture and the important things in life.

Dot, we hope you are enjoying the party. It’s time for you to make a wish and blow out the candles.

We love you (even though we don’t say it enough) and wanted to show you how much you are appreciated. Have a wonderful day!

Day 10. Tootsie Rolls

September 14, 2015 by Beverly

I already had candy on the brain, as you know from Day 7’s Vending Machine. The immediate inspiration for Three Mini Tootsie Rolls, however, was a conversation that I had with Ed Price, an old and dear friend who I met at the Kellogg School of Management at Northwestern when we were getting our MBAs. We don’t talk that often, but when we do, it’s a marathon!

“Three Mini Tootsie Rolls” by Beverly Shipko, Oil sketch on cradled wood panel, 5 x 7 inches

Ed and I were talking about eating well and how that fits (or doesn’t fit) with my decadent paintings. He mentioned that his fiancé, Debbie, (now wife – congratulations to both of you!), snacks on a little Tootsie Roll every day despite the fact that everything else she eats is wholesome and healthy.

It turns out her father’s daily routine included a mini Tootsie Roll, and Debbie is carrying on the family tradition in memory of her father. I wish I could think of a simple ritual to honor my father every day, but I’ll have to settle for watching Washington Week every Friday which was how we spent some time together (along with moderator Paul Duke).

I took so many photos of these little chocolate Tootsie Rolls (which Tootsie Industries actually refers to as Midgees; who knew?) on multiple days to get this layout. It turned out once again, that simpler was better, and I eliminated a bowl of mini Tootsie Rolls that was overly complicated.

As usual, my desire for perfection is showing. I want to keep fine-tuning the background color, the shading and the logos, but it’s time to stop and move on. I have to remember that one of the reasons I am doing the Challenge is to get in the habit of learning when to stop and to avoid overworking paintings (having said that, I confess there is one letter or two that I’ll probably clean up tomorrow….).

After I began painting today, I thought about putting part of a Tootsie Roll bag in the composition to add contrast and interest. Alas, it was too late for this painting. So that’s something I plan on trying later on this month.

I hope to see you again soon.

Day 9. Pomegranates

September 10, 2015 by Beverly

Pomegranates is my first fruit painting in years. Of course, I thoroughly enjoyed the remnants. To me, this fruit is as sweet as cake or candy!

“Pomegranates” by Beverly Shipko, Oil on wood panel, 5 x 7 inches.

I hadn’t been planning to paint this, but that changed when the mail came about two weeks ago.

It’s no secret that I am on a mission to get rid of 18 years of junk in the house. As soon as papers come into the house, I throw them out – a change from past behavior. So when I opened up a rather unremarkable, unsolicited package of Rosh Hashana cards, I found this one and stopped myself in the middle of tossing the cards out. I didn’t know why at the time, but I put this one on the dining room table (my work station for September).

With the rapidly approach Rosh Hashana holiday, I then started pondering pomegranates as a subject. They are colorful and have beautiful patterns when sliced open, both of which appeal to me. And I could use the painting as a holiday card or email. So I bought 2 pomegranates, sliced one open, and had a good time playing with compositions.

You would be surprised at how many photos (aka digital clutter) it takes to get one good one to paint. The pomegranate still life setups looked better in person than they did through the lens. When I realized they were too complicated to do in one day, I started taking pieces away until I ended up with simpler compositions, like this one.

My go-to color for the seeds was alizarin crimson, which I have never been able to mix. Fortunately, I had a new tube on hand. Ah, those seeds. It took me a while to get the hang of them, and I could still use some more practice capturing their translucent quality. The seeds were a change of pace from my typical dessert subjects, but I like to think of them as the crumbs that make the painting interesting. They were hard to paint, but not so hard that I got discouraged.

I liked watching this painting emerge today. At some point, I will do a square version of it to compare formats. Recently I have been thinking that the square format feels more contemporary. What do you think?

This is not the last pomegranate you’re going to see this month. I’m hooked in more ways than one.