vendingmachine

My New Years’ present to myself is to resume work on Choices, an ambitious vending machine painting that I began two years ago. While I was in the middle of it, I had to dismantle my home studio to sell the house and downsize. Then Choices went into storage for an extended period.

I call this painting ambitious because it has 15 unique logo packages, plus 5 oversize vegetables, and 20 vending rings in it! I’m thinking I must have almost been insane at the time to tackle this painting. However, when I read my old blog, I seem totally rationale and approached the development of Choices very methodically.

From the outside looking in, this 3 x 3 foot painting looks finished, and my neighbors keep telling me it must be almost done. Even my youngest daughter, Bonnie, and artist friend, Linda, thought so.

But it’s not. I mistakenly bought into the party line that it was almost done. I was disappointed.

Here’s what happened.

I decided to paint the top row of chips. Often I find it’s best to work in oils from the top down so I don’t smear the paint below when I brace my hand on the canvas.

Signaling my serious commitment to painting, I put on one of my favorite CDs, Aaron Copland’s inspiring Celebration (yes, I confess I still have quite a CD collection, which is great when the power goes out.)

And I cranked my easel as low as it would go to bring the chips down to eye level. The beauty of a crankable easel is its ability to reach the tallest parts of large paintings without standing on a step stool – which resulted in several mishaps in the past, most recently January. It was the best art purchase I ever made! I would highly recommend making the investment in a easel with a crank by Mabef to all of you painters. (Tip: Find a big sale at an online art supply store.)

Alas, now that the top row of chips are at eye level, I see how rough and sketchy the chips are, especially the graphic Cheetos package. Previously, I had been looking at this painting but not seeing or processing its interim status.

Ok, I was prepared for the chips. But what I wasn’t expecting to find – under direct sunlight – was that the black acrylic background had lots of little white canvas spots peeking through everywhere at an unacceptable level. I shifted gears and spent two days repainting the black acrylic background.

After finishing the background, I had to face the unpleasant fact that the black vending rings are barely sketched in.  My eye saw the rings the way I wanted them to be, rather than how they are. Painted very tentatively and barely there. Fragile. Hardly looking like strong metal vending rings.

Unfortunately,  it had been so long that I didn’t remember if I used acrylic or oils. As I’ve mentioned in previous posts, oil-based paint and water-based acrylic don’t mix – like oil and water. Oil paint can go over acrylic, but acrylic can not be painted over oil.

I thought I could tell the medium by feeling the surface since oil has more texture, at least the way I paint.

Since I couldn’t feel much texture, I tried acrylic on the rings. Alas, the paint pooled up and I knew I guessed wrong.

At this point, my assessment is that I’m 60-70% finished. Way lower than I thought before starting.

I knew I had to paint all the rings before I could move onto color. As anyone who has tried to paint ovals and circles knows, capturing these shapes with flowing lines in the right perspective on a slight textured canvas is difficult. Even my hero, Wayne Thiebaud, slips up once in a while. Note the awkward angle of the spiral topped cake.

The rings require the most concentration.

They are such an integral part of the rhythm of composition. The rings have their own reflections, cast their own shadows on the packages, and reflect the colors.  I used to paint them last, but I learned that painting them earlier in the process – in acrylic – results in a more integrated composition. Unfortunately, one slip of the hand often means a major repair job on the oil-based package. After conquering the rings, I’m confident the rest of the painting will come more easily.

Don’t get me wrong, I can handle the rings. But I would much prefer working on paintings with one big ring per canvas as in this ongoing vending series.

Now I don’t have to wonder what I’m going to do this holiday week.

My new goal for rest of New Year’s week is to finish all 20 rings using Ivory Black and Titanium White oil paint, which will be a major accomplishment!

Of course, the rings will need additional touchups once I start applying color. That’s part of the process.

For now, it’s somewhat fitting that painting them is how I’m ringing in the New Year.

We’re coming full circle, and I hope that means much peace, joy and health for you in 2021. Happy New Year!